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Yeezus Credits Released, Daft Punk Dominates
Whether you agree that it is an expression of self-righteousness, Kanye West\'s newest album Yeezus completely lacks any feature or production credits, despite the massive team that helped put together the controversial album. Finally, he\'s pulling back the c... Read the rest »
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DAILY HOT TEN

The most popular tracks of the last 24 hours, updated in realtime.

1
Avicii (ft. Aloe Blacc) - Wake Me Up (Radio Edit)
2
Tiesto and Dyro - Paradise
 
3
Fedde Le Grand and Sultan Ned Shepard - No Good
4
Cisco Adler (ft. Sammy Adams) - Classic (Remix)
 
5
Hucci - Cashmere
6
Asher Roth - Pass That Dutch
 
7
RUFUS - Desert Night
 
8
Flatbush ZOMBiES - Palm Trees
9
Joey Bada$$ - 95 Til Infinity (Prod. Lee Bannon)
 
10
Down with Webster - One in a Million (Autoerotique Remix)
 

Porter Robinson

This 20-year-old talent has been touted by his peers (read Tiësto, Skrillex and Deadmau5) as one of the nu-breed saviours of electronic music, and having only experienced the limelight for a short amount of time, his achievements paint the picture of a bright future.

2011 saw Porter achieve what some do in an entire career. He provided tour support to Tiësto and Skrillex, as well as debut appearances at Electric Daisy Carnival, Ultra Music Festival and Electric Zoo that led to him entering DJ Mag`s Top 100 and the Billboard Top 21 Under 21 chart. His Spitfire EP, which crashed Beatport’s servers on release, smashed its way to the #1 position in the process and held fort for 2 weeks solid. Add in a couple official remixes for Lady Gaga and Avicii, and one would think things could not get bigger for the young musician.

However, 2012 saw Porter growing even further with appearances in top-billed slots on those same festivals plus Coachella, Tomorrowland, Creamfields and Lollapalooza. He began residencies at XS and Surrender in Las Vegas, made a European headline tour debut, spun a live Essential Mix on BBC Radio 1, and released the hit single “Language” to great acclaim and constant radio spins around the world – not to mention #1 spots on the Beatport Overall and iTunes Dance charts.
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